Thursday, February 24, 2011

No hay más Led Zeppelin

A pesar de lo dicho ayer, Peter Mensch, manager del guitarrista Jimmy Page, se retractó totalmente en eso que la banda buscaría un reemplazo al ultragenial Robert Plant para seguir rockeando y toureándola por el mundo tras su show de 2007 en el O2 Arena de Londres por el poder de la música más sexual de la historia. No habrá más Led Zeppelin, no hay planes de que lo haya.

Mensch comentó: "Led Zeppelin se acabó. Si no los vieron en el 2007, se los perdieron. Probaron reemplazantes a Robert Plant, pero nada funcionó. Se acabó. No hay planes para continuar. Francamente, ojalá todos dejaran de hablar al respecto."

Los fans no están nada contentos, especialmente los británicos, considerando los precios delirantes de las entradas del show reunión.

¿Y a ti? ¿Qué te parece todo esto?

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Arcade Fire Manager Responds To Steve Stoute's Grammy Gripe

In an open letter of his own, Scott Rodger said he's 'proud of this band and what they've achieved.'
By James Montgomery


Arcade Fire at the 2011 Grammy Awards
Photo: Getty Images

Three days after music-industry vet Steve Stoute took out a full-page ad in The New York Times to blast the Grammys for being out of touch and vaguely evil, the manager of one of the bands he singled out responded, calling Stoute's missive "a nice piece of self publicity."

In an e-mail to industry insider Bob Lefsetz, Scott Rodger, manager of Album of the Year winners the Arcade Fire, ripped Stoute for calling into question not only the validity of the band's triumph but also their show-closing second performance. While the encore served as a de facto victory lap for the band, to Stoute it appeared to be proof positive that the Grammys were rigged and in need of a serious overhaul.

"Arcade Fire had the final slot on the Grammys as the ratings are low at the end of the broadcast. It really is that simple," Rodger wrote. "[There was] no big plot. We had no guarantee of air time, but it was simply to play out the end-credits of the show. ... For the Grammys international broadcast, our main performance — along with that of Mumford & Sons and the Avett Brothers was completely cut from the show. Our end-title performance was bastardized because they cut our ads/sponsor messages completely. It was a bit of a farce."

Rodger also defended his band's AOTY win — which Stoute took issue with in his Times open letter, and then again in a follow-up interview with The Hollywood Reporter, — because, well, they "deserved" it.

"They made the best album. If the award was named 'Album Sales of the Year,' there would be no discussion," Rodger wrote. "Eminem made a big-selling album, but it was far from being his best work. Katy Perry made a big pop record that simply didn't have weight or credibility. Gaga's ... was a repackage of the main release.

"Arcade Fire are now one of the biggest live acts in the world. It's not all about record sales. It's about making great records, and it's about building a loyal fanbase," he continued. "The band make great albums, they're not a radio-driven singles band. ... Things couldn't be better."

Rodger closed his e-mail by taking a final shot at Stoute, saying that his protests were myopic — since Arcade Fire's triumph was actually celebrated by big-selling artists — and that "he needs to tune in."

"Did he see Kanye's tweets when we won and the praise he gave us?" he wrote. "I'm proud of this band and what they have achieved."

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Ego (Remix)

  • Artist: Beyoncé
  • Label: Columbia, Music World Music
  • Director: Beyonce, Frank Gatson

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Adam Lambert's 'Whole Lotta Love': The Story Behind The Cover

Glam rocker tackled the legendary 1970 Led Zeppelin song for 'American Idol' rock night.
By Gil Kaufman


Adam Lambert performs "Whole Lotta Love" on "American Idol" on Tuesday
Photo: R. Mickshaw/Getty Images/ Fox

Imagine a freight train speeding toward you at midnight. Or a rockslide barreling down a hill as you try to outrace it. That's the feeling of the ominous, chugging Jimmy Page riff that kicks off Led Zeppelin's 1970 Stonehenge of rock, "Whole Lotta Love." And that's before singer Robert Plant leans into one of the nastiest, ecstatic rock screams this side of the Who's "Won't Get Fooled Again."

That's the song Adam Lambert chose to sing on "American Idol" rock night Tuesday (May 5), and, needless to say, it was a challenge that the eyeliner-loving Los Angeles stage veteran was more than up for, hitting a series of high notes and rock screams that would have made Plant proud. It was a risky maneuver that paid off for Lambert, who chose a tune that came in at #75 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time" in 2004.

The legendary British rock act recorded the tribute to Chicago blues icon Willie Dixon during their second U.S. tour after working it out in their live show, including it on their 1969 classic album Led Zeppelin II. Like many of the songs Zeppelin performed early in their career, "Love" was a blues standard turned on its head with a heavy dose of crunching psychedelic guitar and thundering drums, courtesy of late drummer John Bonham. The song was based on a 1962 tune by another blues forefather, Muddy Waters, called "You Need Love," which was penned by Dixon.

For Zeppelin's version, Plant customized the lyrics by adding some lyrical quotes from a few other songs Dixon wrote for Howlin' Wolf, "Back Door Man" and "Shake For Me," nailing the tricky vocal in a single take. It was also inspired by 1966's "You Need Loving" from the British rock group the Small Faces, for whom Zeppelin had great affection, but they also did not credit Dixon for his part in writing the original lyrics. The song became Zeppelin's first U.S. single and their only U.S. top 10 hit. Though their manager would not let them release singles in the U.K. because he thought it cannibalized album sales, the song was finally released as the band's only British single in 1997.

Dixon sued Zeppelin over the song in 1985, claiming it borrowed too heavily from his "You Need Love," and Zeppelin reached an agreement with him, with Dixon using the money he received to set up a program that provided musical instruments for schools. A cornerstone of heavy rock, the tune -- which was the theme song for the long-running British countdown show "Top of the Pops" in the 1970s and '80s -- has been covered by dozens of artists over the years, from Tina Turner and Ben Harper to Prince, Slash, Leona Lewis, Train's Pat Monahan, the London Symphony Orchestra and Jane's Addiction.

Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.

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